There is also a Lite version available, as well as the option to buy individual tools such as Dehancer Grain, Bloom or Halation. This is available for both Mac and Windows. So naturally, I was intrigued to see for myself what Dehancer was capable of.Īs I mentioned at the start, we will be taking a look at the Pro version of the plugin. I've used a variety of film emulation tools in the past as I enjoy trying to replicate the "film look" without the price tag that comes along with shooting on actual film stock. This is very important because your output may have problems in different circumstances like undergoing Youtube Compression and being watched on a wide screen.In this video, we're going to take a look Dehancer Pro, a film emulation plugin for DaVinci Resolve. I’m sharing my mistake with you because I’m sure that you’ll be in the same situation if you’re grading for different clients.Īlways make sure you have the right color space. When I fixed my settings and try it again, there were no Youtube Compression problems anymore even with Film Emulation. So my settings were for RAW files and not for Apple Prores 422 Rec. I totally forgot that I wasn’t grading in LOG because this is the first time I received a film that was shot in R3D but wasn’t filmed in RAW. What should be the settings of your Color Space Transform before using the Film Emulation? The film was filmed with R3D Camera but the file that I received was in Apple Prores 422 10-bit. If you’re having this problem with your grade, this is the solution to Youtube Compression messing up your grade: Check your Color Space Transform Settings 709 to film look takes a lot of adjustments. It’s doable but it will take more time since from Rec. If Film Emulation will be the limitation of Youtube, it means that all of these colorists will have to rely on manually creating these Film Looks. Most professional colorists use Film Emulation and grade around it. However, is Film Emulation really the problem?īecause that would be a bigger problem for every colorist in the world. I returned the film and the director loved it. So, re-grading it was more difficult because I had to create the look that we agreed upon without using the Kodak 2383 Film Emulation LUT. I found out that when it’s only when I remove the Kodak 2383 film emulation that it looks great on Youtube. He was nice enough to give me all the time I needed but I wanted to bring it back in 2 days so I did. I cannot show how bad it looked because I can’t do screenshots from our TV but it was so bad that I had to ask the director if he can give me time to regrade everything. Your film should still look decent on any device even if the device isn’t calibrated. Yes, our TV isn’t calibrated however, I never watched a short film or feature film that looked like that on our TV. The skin tones became brighter and the saturated part became more saturated while the low-saturation parts got more desaturated. When I watched it on our 55-inch LG TV, it was garbage. You can see a bit of loss in detail but it’s not much to be worried about. It turned out really good on Desktop and mobile phones (Android and Apple). So, what I did was upload the film that I graded on Youtube in private mode just for me to see how it’ll look on Youtube on different devices. If it was in Amazon Prime, Netflix, or Cinema, there wouldn’t be any problem. However, for some reason, I remembered that the film will be uploaded on Youtube. I just finished re-grading a 40-minute short film.
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